![]() Legendary artists like Stevie Wonder, Pete Townshend and Brian Eno were given a great interface to start experimenting with the synth’s sound design capabilities. Musicians who knew their way around a keyboard didn’t need to learn the ins and outs of synthesis to pick up the instrument and start experimenting-especially since the ARP came with a keyboard of its own that could be played like a keytar with an extended cable. Try LANDR Plugins.īecause the ARP 2600 came as a semi-modular pre-assembled synth that could make a sound without any patch cables applied-it was the most user-friendly synth on the market for its time. Get the tools to shape your sound with 30+ synths, instruments, effects and utilities plugins from industry leaders like Arturia, UJAM and more. This made it user-friendly for artists to simply sit down and start experimenting with melodies and sequences-before patching in new configurations. It was essentially the world’s first synth preset. The ARP 2600 was also one of the first commercially available synths that came with a pre-wired starter patch-meaning that you could simply turn on the synth and the keys would make a sound. The ARP 2600 is best known for its pioneering interface that featured a faceplate with visually connected sections that made it easier to understand and experiment with various patch cable configurations. ARP refers to the company’s namesake founder Allen R. The ARP 2600 is a modular, monophonic synthesizer that was manufactured by ARP Instruments in 1971. In this article, we’re going to explore the history of the legendary ARP 2600, explore its various sounds, patches and presets and explore some of the modern hardware and software options for incorporating this legendary synth into your sounds. So it’s no surprise that there are a handful of remakes and re-issues available on the market today-whether you want a hardware remake of the ARP 2600 or a software emulation, there’s definitely an option that’ll suit your budget. Learn about the beeps and boops behind everybody’s favorite drone this #maythe4th! #sounddesign #arp2600 #moviefacts #starwars #maythe4thbewithyou #producertok ♬ original sound – LANDRĮven today, the ARP 2600’s intuitive design, modular interface and the plethora of possibilities it offers to musicians and sound designers make it a sought-after piece for studios of all sizes. Listen to the difference below.The ARP 2600 is responsible for some of the most iconic synth sounds in popular culture.įrom the oscillating and undulating synth sound of The Who’s “Who Are You”, to the sounds of R2D2 in the first generation of Star Wars-you’ll find the ARP 2600 used time and time again. That’s precisely what’s happening in “Thriller”, with the detuned Jupiter-8 pad panned to the right, and the CS-80 sound panned to the right. One of the great things about layering is that you can hard-pan the separate tracks to create a wide stereo sound. The second patch, likely the CS-80, uses a single sawtooth wave for a thinner sound, and the filter is in a lower position than the first patch. Our recreated patch has a small amount of LFO modulation on one of the oscillators to create a lush chorus effect. The first patch, likely the Jupiter-8, uses two detuned sawtooth waves with the filter cutoff around 650 Hz. Despite the heavyweight synths used, the sounds are relatively simple and can be created with any polyphonic synth. In the book Let’s Make HIStory, Anthony Marinelli says the synths used for the “Thriller” verse pads are a Roland Jupiter 8 and a Yamaha CS-80. Layering can create rich sounds with more depth than a single sound. The warm verse pads on “Thriller” were created by layering two different synths playing the same chords. The team had to work around the clock to complete Thriller on time. ![]() Storybook, which Michael Jackson and Quincy Jones were simultaneously working on in the same studio. This tight deadline was compounded by the E.T. The album also featured guest appearances from pop legend Paul McCartney on “The Girl is Mine”, rock guitar virtuoso Eddie Van Halen on “Beat It” and Vincent Price, the ‘King of Horror’, on the title track.Įpic Records wanted the Thriller ready for release in November, just in time for the Thanksgiving shopping season. Many of the big players on Off the Wall returned, including songwriter Rod Temperton, session keyboardists Greg Phillinganes and Michael Boddicker, and the late Bruce Swedien on engineering duties. Thriller was the follow-up to 1979’s Off the Wall, MJ’s first collaboration with producer Quincy Jones, as well as Triumph with The Jacksons, released in 1981.įollowing the Triumph tour, Quincy Jones began to assemble a dream team of musicians and engineers at Westlake Studios, California in August 1982.
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